KANDINSKY - PICASSO - MIRO
Ausstellung im Kunstmuseum Luzern «Kandinsky, Picasso, Miro – zurück in Luzern». 5.7. bis 2.11.2025.
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Ausstellungsplakat.
Blick in die Ausstellung von 1935 in Luzern «These, Antithese, Synthese».
Blick in die Ausstellung von 1935 in Luzern «These, Antithese, Synthese».
Von Links: Arthur Hepworth, Alfred Bartoletti, Wolfang Paalen, Ben Nicholson, Hans Erni, Jean Hélion.
Artikel von Februar 1935 im Luzerner «Vaterland».
Barbara Hepworth (1903-1975). Two Heads, 1932. The Pier Arts Centre.
Barbara Hepworth (1903-1975). Figure in Sycamore (Ahorn), 1931. The Pier Arts Centre.
Barbara Hepworth (1903-1975). Large and Small Form, 1934. The Pier Arts Centre.
Fernand Léger (1881-1955). Composition No 2, 1925. Privatsammlung Schweiz.
Fernand Léger (1881-1955). Composition, 1935. Fundacio Joan Miro, Barcelona.
Fernand Léger (1881-1955). Feuilles et fruits, 1927. Fondation Beyeler, Riehen-Basel.
Fernand Léger (1881-1955). La liseuse, mère et enfant, 1922. Privatsammlung Schweiz.
Fernand Léger (1881-1955). Le mannequin au damier, 1927. Nahmad Collection.
Georges Braque (1882-1963). Compotier et poires, 1930. Musée d'art et d'histoire, Genève.
Georges Braque (1882-1963). Le Journal (Guéridon), um 1913. Kunstmuseum Solothurn.
Giorgio de Chirico (1888-1978). Gare Montparnasse (The Melancholy of Departure), 1914. MoMA, News York.
Giorgio de Chirico (1888-1978). Gladiatori, 1928. Nahmad Collection.
Hans Erni (1909-2015). Komposition C, 1934. Hans Erni Stiftung Luzern.
Hans Erni (1909-2015). Komposition D, 1934. Nachlass Hans Erni Luzern.
Hans Erni (1909-2015). No.24 Komposition B (27), 1934. Nachlass Hans Erni, Luzern.
Hans Erni (1909-2015). Pierre de terre d'Afrique, Composition 1, 1934. Nachlass Hans Erni Luzern.
Hans Erni (1909-2015). Pierre de terre d'Afrique, Composition 2, 1934. Nachlass Hans Erni Luzern.
Hans Erni (1909-2015). Plastide (Komposition 13), 1934. Nachlass Hans Erni Luzern.
Jean Hélion (1904-1987). Composition, 1934. Mouradian Collection.
Joan Miro (1893-1983). Peinture, 1933. Kunstmuseum Bern.
Juan Gris (1887-1927). Compotier, pipe et journal, 1917. Kunstmuseum Basel.
Juan Gris (1887-1927). Fruits, 1923. Coleccion Lopez de Letona.
Juan Gris (1887-1927). Le sac de café, 1920. Kunstmuseum Basel.
Max Ernst (1891-1976). Forêt d'arrêtes, 1927. Privatsammlung Schweiz.
Max Ernst (1891-1976). Sun on Red Forest, 1927. Britten Pears Arts Collection.
Pablo Picasso (1881-1973). Bust of a man, 1908. The Metropolitan Museum of Art New York.
Pablo Picasso (1881-1973). Head, Study for a Monument, 1929. The Baltimore Museum of Art.
Pablo Picasso (1881-1973). La Bouteille de Bass, 1912-14. Museo del Novecento, Collezione Jucker, Milano.
Pablo Picasso (1881-1973). Mandolin, Fruit Bowl, and Plaster Arm, 1925. The Metropolitan Museum of Art New York.
Pablo Picasso (1881-1973). Portrait de Fernande Olivier, 1906. Jürg und Brigitte Purtschert, Luzern.
Pablo Picasso (1881-1973). Woman in an Armchair, 1910. National Gallery Prague.
Paul Cézanne (1839-1906). Fruit, 1879-82. National Gallery Prague.
Sophie Taeuber-Arp (1889-1943). Composition à rectangles et cercles, 1930. Kunstmuseum Basel.
Sophie Taeuber-Arp (1889-1943). Equilibre, 1932. Louisiana Museum of Modern Art, Humlebaek.
Sophie Taeuber-Arp (1889-1943). Komposition mit fünf Kreisen, Quadrat und Rechteck, 1931. Chantal und Jakob Bill.
Wassily Kandinsky (1866-1944). Weisser Punkt (Komposition 248), 1923. Hamburger Kunsthalle.
Wolfgang Paalen (1905-1959). Animaux carnassiers, 1933. OL-art Collection.
Wolfgang Paalen (1905-1959). Avertissment (Peinture), 1934. OL-art Collection.
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